Dimitri Platanias, Greek baritone. APA Artists' Management Alexandra Mercer - www.apaartistsmanagement.com/dimitriplatanias/




Lee Bisset
Elena Kelessidi
Elena Monti
Evgeniya Sotnikova
Elena Zelenskaya


Na'ama Goldman
Veronika Hajnová
Irini Karaianni
Larisa Kostyuk
Rossana Rinaldi
Victoria Yarovaya


Salvatore Cordella
Michael Heim
Francesco Marsiglia
Vadim Zaplechny
Mario Zeffiri


Marcin Bronikowski
Yasuo Horiuchi
Dimitri Platanias


Johannes von Duisburg
Sebastian Holecek


Askar Abdrazakov
Gary Jankowski
Arutjun Kotchinian


Manlio Benzi
Boris Brott
Thomas Sanderling


Dieter Kaegi


Dimitri Platanias

Baritone

Video (YouTube):
Tosca (Te Deum)
Tosca (Act II)
Aida (Nile Scene)
Simon Boccanegra (Paolo)
I Pagliacci (Tonio)

Audio (Mp3):
Un Ballo in Maschera - Eri tu che macchiavi quell'anima
Don Carlo - Io morrò ma lieto in core
Otello - Vanne! La tua meta già vedo... Credo in un Dio crudel
Rigoletto - Larà Larà
Rigoletto - Cortigiani vil razza dannata
Rigoletto - Finale
Andrea Chenier - Nemico della Patria
Nabucco - Dio di Giuda


Rigoletto - debut at ROH Covent Garden.
Two figures are dominant, and they are the two who matter most: John Eliot Gardiner, conducting Rigoletto for the first time, and the stunning Greek baritone Dimitri Platanias, making his Covent Garden debut. As for Platanias, I have rarely heard the title role sung with such gloriously sustained tone and line, or such thrilling power. Visually he's not the most grotesque of Rigolettos; perhaps he feels that his costume, a proto-Hell's Angel black-leather get-up, is weird enough. But he projects bags of character with his voice alone - a voice that I would like to hear much more.
Richard Morrison - The Times - 1st April 2012

Born in Greece, he is now recognised as one of the foremost Verdi Baritones of the younger generation. Winning the Alexandra Trianti Scholarship enabled him to study in Italy under Masako Tanaka Protti and at the showcase concert for the winners of this bequest, Rodney Milnes said in Opera Magazine:
The most impressive singer was the baritone Dimitris Platanias, who on this showing could sing Rigoletto anywhere in the world: beautifully warm, heroic tone, a dynamic range from forte to a pianissimo that lost nothing in colour or substance, musicianship and instinctive feeling for text - a name to watch out for in the current dearth of Verdi baritones.

He went on to make his debut at Greek National Opera and his first appearance in Italy as Gerard ANDREA CHENIER. His debut at La Fenice di Venezia was as RIGOLETTO, a role that he has since made his own and it was as RIGOLETTO that he made his highly acclaimed debut at the Royal Opera Covent Garden. A most gifted linguist, he is noted not just for the splendour, rich timbre and beauty of his voice, but also for his insightful interpretations of the characters he portrays. His recent appearance as RIGOLETTO in concert with the London Symphony Orchestra under Gianandrea Noseda was greeted with great enthusiasm, leading Hugh Canning in The Sunday Times Culture - 22 September 2013 to write: Platanias, meanwhile must now be the great white hope among younger Verdi baritones.


Roles performed:

AIDA: Amonasro





ALCESTE: High Priest

ANDREA CHENIER: Gérard




UN BALLO IN MASCHERA: Renato

LA BOHEME: Marcello

CAVALLERIA RUSTICANA: Alfio


DON CARLOS: Rodrigo, Marquis of Posa

DON GIOVANNI: Leporello

FAUST: Valentin

LA GIOCONDA: Barnaba

MARATHON-SALAMIS: Xerxes

MADAMA BUTTERFLY: Sharpless

NABUCCO: Title role





LE NOZZE DI FIGARO: Figaro

OTELLO: Iago



I PAGLIACCI: Tonio


O PROTOMASTORAS: The Master

RIGOLETTO: Title role








SAMSON ET DALILA: Grand Prêtre

SIMON BOCCANEGRA: Title role


SIMON BOCCANEGRA: Paolo Albiani



TOSCA: Scarpia




LA TRAVIATA: Germont Père


IL TROVATORE: Conte di Luna

I VESPRI SICILIANI: Guido di Monteforte
Odeon of Herodes Atticus
Thessaloniki Opera
Teatro dell'Opera Giocosa di Savona
Teatro Goldoni di Livorno
Bregenzer Festspiele

Megaron Athens

Teatro Sociale di Rovigo
Il Politeama di Catanzaro
Teatro Sociale di Trento
Teatro Goldoni di Livorno

Greek National Opera

Greek National Opera

Odeon of Herodes Atticus
Greek National Opera

Teatro Nacional de São Carlos

Greek National Opera

Megaron Athens

Greek National Opera

Greek National Opera

Odeon of Herodes Atticus

Staatstheater Stuttgart;
Megaron Athens;
Odeon of Herodes Atticus
Teatro Castello di Vigoleno
Teatro dell'Opera Giocosa di Savona

Greek National Opera

Oper Frankfurt
Teatro la Fenice di Venezia
Odeon of Herodes Atticus

Odeon of Herodes Atticus
Greek National Opera

Greek National Opera/Megaron

ROH Covent Garden
Théâtre Royal de la Monnais
London Symphony Orchestra (Barbican Centre)
Teatro La Fenice di Venezia
Teatro Massimo Palermo
Casa da Música, Porto
Greek National Opera
Concertgebouw Amsterdam

Teatro G. Verdi di Trieste

Bayerische Staatsoper
Royal Opera Muscat

ROH Covent Garden;
Megaron Athens;
Teatro Verdi Salerno

Deutsche Oper Berlin;
Oper Frankfurt;
Megaron Athens;
Opera Ireland

Teatro La Fenice di Venezia
Greek National Opera

Odeon of Herodes Atticus

GNO Megaron Athens


Concerts include:

Joseph L'ENFANCE DU CHRIST (Megaron); Mephistopheles, Boser Geist, Pater Seraphicus SZENEN AUS GOETHES FAUST (Megaron); CARMINA BURANA (Megaron, Thessaloniki); MOZART - CORONATION MASS (Corfu). Gunther GÖTTERDÄMMERUNG (Megaron - Concert form); BRAHMS -EIN DEUTSCHES REQUIEM (Megaron); FAURÉ - REQUIEM (Greek National Opera); MENDELSSOHN - DIE ERSTE WALPURGISNACHT (Odeon of Herodes Atticus); WIGMORE HALL RECITAL in the Rosenblatt Recitals Series.


Conductors and Directors with whom he has worked include:

Martin Andre; Maurizio Benini; Bertrand de Billy; Myung Wun Chung; John Eliot Gardiner; Lukas Karytinos; Gianluca Martinenghi; Diego Matheuz; Myron Michailidis; Carlo Montanaro; Pier Giorgio Morandi; Gianandrea Noseda; Antonio Pappano; Carlo Rizzi; Daniele Rustioni; Giovanni di Stefano.
Daniele Abbado; Robert Carsen; Johannes Erath; Rudolf Frey; Stephen Langridge; David McVicar; Jakob Peters-Messer; Elija Moshinsky; Nikos Petropoulos; Graham Vick.


Reviews:

RIGOLETTO - ROH Covent Garden, March/April 2012

MusicalCriticism.com - Michael Migliore - 4th April 2012
Baritone Dimitri Platanias, making his house début as Rigoletto, received a rare - and well-deserved - standing ovation for his performance. He sings with unparalleled passion and a sense of style that is at the least captivating and at its best hauntingly sublime.

Music OMH - Opera Reviews - Lottie Greenhow - 30th March 2012
Dimitri Platanias commanded the stage as a wholly believable Rigoletto. A robust and mellifluous baritone, with a startlingly large range, he conveyed all the pathos that the role requires whilst injecting all Rigoletto's coarse humour into his jester scenes. Throwing himself completely into the role, he squeezed every last drop of emotion from Gilda's death scene, and appeared to take his bows looking somewhat shaken (receiving a well-deserved standing ovation in the process).

The Spectator - Michael Tanner - 14th April 2012
Dimitri Platanias, in the title role, has a magnificent voice, and used it with sensitivity and passion.

Mark Ronan's Theatre Reviews - 2012
..with Dimitri Platanias an outstanding Rigoletto. His lovely tone in Act I elicited my sympathy, and in Act II his heartfelt la mia figlia, followed by his condemnation of the courtiers came over with huge power.

Sunday Times - Culture - Hugh Canning 8th - April 2012
Platanias scored with the audience for his generous, easy legato and commitment

Seen and Heard International - Jim Pritchard -March 31, 2012
a very powerful performance and a significant house debut

The Arts Desk - by Alexandra Coghlan -Saturday, 31 March 2012
Beautifully even through the range and strong at the extremes, his is a quality baritone

Bachtrack - David Karlin -30th March 2012
Dimitri Platanias gave us a wonderfully warm and rounded rendition of the title role, at his best in the tender moments between father and daughter where his richness of voice is very appealing

The Sunday Telegraph - John Allison -8th April 2012
Dimitri Platanias projects a powerful baritone as the tormented Rigoletto, carrying off the scabious, cockroach-like characterisation well

The Guardian - George Hall - 10th April 2012
Dimitri Platanias offers an awe-inspiring baritone in the title role

Time Out - Jonathan Lennie - 5th April 2012
Platanias steers a steady line between pathos and bathos, showing unwavering stamina in a superbly controlled vocal performance

Seen and Heard International - Jack Buckley - 18th April 2012 (via satellite)
…a remarkably impressive and chilling performance from a thrilling singer.

The Telegraph - Rupert Christiansen - 3rd April 2012
A big bruiser of a baritone with a terrific instrument, he sang with a blazing power that earned him an enthusiastic ovation

Pamela Hickman's concert critique blog 22nd April 2012
The role of the hunchback court buffoon Rigoletto, is played by Greek baritone Dimitri Platanias, making his Covent Garden debut. His huge voice and all-encompassing stage presence are matched by his intensity, total involvement, vitality and facial expression. At each stage of the plot, one reads the emotion of the moment in his eyes. Those eyes burst into flame as he turns on the courtiers, screaming at them, calling them "you evil damned race", with the orchestra reflecting his gestures with incredible energy and violence. And then he is so different - so tender - when enquiring about his daughter. The court jester turns out to have an enormously noble and dignified side to him. Platanias' performance was moving and real.

* * *

SIMON BOCCANEGRA - Royal Opera House, Muscat Oman - December 2012

The Times of Oman - Sarah Macdonald - December 2012
Platanias's strong, powerful voice was a beautiful contrast to his subtle, yet effective performance as Simon. His emotions seemed true and raw, especially in the scene when he discovers his daughter.

* * *

SIMON BOCCANEGRA - ROH Covent Garden, June/July2013 (role Paolo Albiani)

Opera Britannia - Sebastian Petit - 28 June 2013
Finally we were lucky to have set against Hampson's Doge Dimitri Platanias' pit-bull of a Paolo. Platanias revelled in the dramatic opportunities and sang the role in full-bronzed tones befitting a full Verdi baritone. His short aria at the opening of Act 2 was a model of concentrated drama.

Bachtrack - David Karlin - 28th June 2013
As his eventual murderer Paolo, Dimitri Platanias sang almost as powerfully and comprehensively outacted him.

Express - William Hartson - 5th July 2013
With hugely impressive performances from Ferruccio Furlanetto, as his sworn enemy Fiesco, Dimitri Platanias as the scheming courtier Paolo, and…. this adds up to a quartet of leading male roles that drive the production forward, both musically and dramatically, to magnificent effect.

What'sOnStage - Mark Valencia - 3rd Julay 2013
….was magnetic as the turncoat Paolo, a man eaten away by jealousy and resentment. Platanias floated some heavenly notes above the water-borne strings that open the opera before descending fiercely, two hours later, into a hell of the character's own making. Startling stuff.

The Times - Hilary Finch - 2nd July 2013
Darker still, in the very abysm of moral chaos, is the inky baritone of Dimitri Platanias , making his role debut as an all but demonic Paolo, with resentment and self-cursing coiled in his voice.

The Spectator - Michael Tanner - 13th July 2013
Dimitri Platanias makes a really hateful Paolo, one only wishes the opposition to him were stronger.

Ms OperaGeek - 14th July 2013
Dimitri Platanias was a marvelous Paolo, a role that is often undercast at the Met even with its importance in the plot. I particularly enjoyed his scene where he debates over how to kill Boccanegra, with poison or with a knife. He was dramatic, and he was far from undercast in his role as Paolo.

MusicalCriticism.com - Michael Migliore - 19th July 2013
Dimitri Platanias as Paolo, was every bit as good as when I saw him in Rigoletto last year. His strong yet supple vocal lines are imbued deeply with thrilling color and nuances, which he rounds off with a syrupy sound.

TheArtsDesk.com - Ismene Brown - 28th June 2013
but I kept thinking that Platanias, a squat, powerful Paolo with more intensity to his voice, might make out a more arresting Boccanegra.

* * *

RIGOLETTO - Théâtre Royal de la Monnaie - May 2014

BRF - Hans Reul -9th May 2014
Aber vor allem ist Dimitri Platania in der Titelrolle des Rigoletto hervorzuheben. Er singt nicht, er spielt nicht den Rigoletto, er ist förmlich Rigoletto. Nur selten erlebt man es so intensiv, dass ein Sänger sich mit einer Figur identifiziert. Selbst noch beim minutenlangen Schlussapplaus hat man den Eindruck, Platania steckt immer noch in diesem Rigoletto.

Forumopera.com - 9th May 2014 Claude Jottrand
La distribution est largement dominée par le Rigoletto du baryton grec Dimitri Platanias. Outre qu'il arbore magnifiquement le physique de l'emploi (la bosse en moins), il met dans son interprétation une telle force dramatique, une telle intensité qu'à tout moment il convainc. La voix est charnue, corsée, puissante, colorée, irréprochable de vérité.

Le Soir- Michèle Friche - 4 Juin 2014
Quant au rôle de Rigoletto, père de Gilda, il nous a permis de découvrir un baryton grec formidable, un vrai verdien, Dimitri Platanias: timbre sombre, puissance dans l'aigu, un rien parfois déstabilisé dans la demi-teinte grave, une stature impressionnante, mais sobre et émouvante, une montagne de douleur cachée, de violence aussi, inquiétant sous le masque blanc et les lèvres rouges du clown.

* * *

RIGOLETTO - ROH Covent Garden - (relayed to Trafalgar Square) September 2014

The Spectator - Michael Tanner - 4th October 2014
I can't imagine ……whom I have seen in the title role, ever being as persuasive as Dimitri Platanias, who may be the best Rigoletto I have ever seen. More bug-like than any of his predecessors in this production, he has a sumptuous but grainy true bass (sic) and can modulate from ranting, shaking rage to abject pleading with peerless continuity

* * *

SIMON BOCCANEGRA - Bayerische Staatsoper - October 2014 (Title role)

Munich and Co - Luc Roger - 12th October 2014
En Boccanegra il émeut avec sa voix riche, profonde, puissante et sombre, et son beau jeu d'acteur qui sait rendre les transformations de Simon Boccanegra: le pirate qu'il fait ressembler à un parrain de la pègre se transmue en un doge tourmenté certes mais qui sait porter avec force la dignité de sa fonction. Platanias dispose aussi d'une expressivité émotionnelle rare pour évoquer les déchirements et les doutes intérieurs de Simon Boccanegra.

Bachtrack - Benedikt Zacher - 11th October 2014
Dimitri Platanias schließlich gab den Simon Boccanegra sehr souverän und mit großem Einfühlvermögen

* * *

OTELLO - Oper Frankfurt - November/December 2014

Operatraveller - 16th November 2014
Platanias has an exceptional instrument. The voice is rock solid and even throughout the range. The tessitura holds no terrors for him and he tears up the stage as Jago. The Credo was sung with a genuine rare strength and the voice is big with real amplitude.


Future Plans:

Title role RIGOLETTO: Staatstheater Stuttgart; Germont LA TRAVIATA: Teatro La Fenice di Venezia; Greek National Opera, Glyndebourne Festival; Title role NABUCCO: Staatstheater Stuttgart, Palau de les Arts Reina Sofia, Valencia; Scarpia TOSCA: Odeon of Herodes Atticus; Alfio CAVALLERIA RUSTICANA: Royal Opera, Covent Garden; Tonio I PAGLIACCI: Osterfestspiele Salzburg; Royal Opera Covent Garden; Title role NABUCCO: Royal Opera Covent Garden.

--> Download (Pdf)









TOP

APA Artists' Management / Alexandra Mercer
Studio 1 - 79 Bedford Gardens - London W8 7EG, UK - Tel: +44 (0)207 794 7633 - Fax: +44 (0)207 431 4344